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Seats of Power + Codex IV Corners


Claudia Paraschiv with Azia Gittens-Carle and Maddu Huacuja


Washington St Bridge at Four Corners  


Washington St Bridge at Four Corners
United States




Multi-media bench




Wood and steel



Art Place America ; Fairmount Cultural Corridor ; Surdna Foundation ; The Boston Foundation ; and The Kresge Foundation


Seats of Power + Codex IV Corners grew out of a placemaking event in mid-October, 2014. Led by Design Studio for Social Intervention (DS4SI) in collaboration with local groups (Four Corner Main Streets, Codman Square NDC, Dorchester Arts Collaborative, Greater Four Corners Action Coalition, and local merchants), the event, Productive Fiction, featured many facets of community engagement, including a five-foot bench that fit like a glove over a portion of an industrial gas pipe. The temporary bench solved a problem communicated by community members: the current bus shelter and bench is tucked away so that if you actually sit in it, the bus driver cannot see you, and keeps driving past the station. The enthusiasm for a proper bench during and after the event prompted a more robust and long-term solution: a permanent 50-foot bench to fit the 50-foot industrial pipe.

With the community vision, Artist in Residence Claudia Paraschiv established a program to collaboratively create the project. In her own words: “Over fifteen weeks, we gathered at the same place and the same time to design and build a long bench with the Four Corners community called Seats of Power. Over a 50-foot long industrial pipe on the commuter rail bridge in Four Corners we built an equally long bench. It is equipped with sounds activated when you sit, a tiny urban oasis of hearty succulents, a chess-board ready for play, and a sinuously winding mural in dialogue with each reclaimed piece of wood, all collaboratively created with community members during the pilot session of The Public Art Salon. Taken together, these discreet elements create Seats of Power, a linear place to gather, talk, wait, and play.”

Maddu Huacuja led the mural integrated into the bench. In her own words: “I conceived of the idea of a serpent tattooed with ancient, pre-conquest Symbols representing the many cultures in our neighborhood, here in Dorchester, that encompass many parts of the globe.  As I researched and searched for these ancient symbols, I realized that almost every culture has an ancestral serpent in its pantheon. At this point, conceptually and aesthetically, the monumental serpent moving across the bench bearing our ancestors on its golden body became the obvious choice.”

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