The Art of Hope
Artist: Derek Smith
Neighborhood: Back Bay
42° 21' 1.872" N, 71° 4' 31.3212" W
Time Frame: Friday, October 25, 2013 - Sunday, October 27, 2013
How do we respond peacefully to violence in our lives? In our communities? Do we passively accept it? Do we fuel the cycle with our own anger? Artists Derek “Focus” Smith from the Pine Ridge Reservation, South Dakota, and Aaron “AMP” Pearcy of Rapid City, SD, have been actively exploring the question of how to make and use art to respond peacefully to violence. Trinity is honored to host them when, over a weekend, these artists will create a temporary mural as a statement of peace, hope and love over violence, despair and hatred. They will be creating live, outside Trinity Church, all three days. Stop by each day to see the work evolve!
The artists will be painting from Friday, October 25 through Sunday, October 27, 10am – 4:30pm, outside Trinity Church's west porch
A concluding reception will be held Sunday, October 27, from 4:30pm – 5:30pm« Back to Top
Stop Telling Women to Smile
Artist: Tatyana Fazlailzadeh
Neighborhood: East Boston and Roxbury
Location: Harbor Arts in East Boston and Bartlett Yards in Roxbury
Harbor Arts in East Boston and Bartlett Yards in Roxbury
2532 Washington Street
Boston, MA United States
Medium: Wheatpaste posters
Time Frame: Friday, October 18, 2013 - Tuesday, December 31, 2013
Stop Telling Women to Smile is a public art series that addresses gender based street harassment. The work consists of drawn portraits of women who have told their stories of harassment, and wheat pasting those portraits as posters with captions that speak directly to offenders on outdoor walls. The artist will be bringing this project to the streets of Boston in mid October of 2013.
During her time here, Fazlalizadeh will be interviewing local women about their experiences with street harassment. After photographing the chosen participants and drawing their portraits, Fazlalizadeh will strategically deploy these city-specific signs on the streets of Boston. These signs serve as a symbolic reclamation of public space as well as a declaration that women are not sexual objects for public consumption, but citizens worthy of respect.
Fazlailzadeh will be returning to Boston in the coming months to put up new posters in even more locations around Boston. As of now, her work can be seen in Central Square in Cambridge, at Harbor Arts in East Boston, and at Barlett Yards in Roxbury.
To learn more about Tatyana Fazlailzadeh, visit her website at tlynnfaz.com/
For more information on Stop Telling Women to Smile and to follow the artist on her national tour, check out stoptellingwomentosmile.com« Back to Top
Remanence: Salt and Light
Artist: Matthew Ritchie
Neighborhood: Dewey Square
42° 21' 12.8196" N, 71° 3' 16.2216" W
Time Frame: Monday, September 16, 2013 - Monday, December 1, 2014
A 70' x 70' painted mural by Matthew Ritchie will cover the existing mural on the Dewey Square Air Intake Structure.
The artist, from New York, will have an exhibition at the Institute of Contemporary Art/Boston next year from April 2014 - February 2015 and has designed an accompanying public mural for the Dewey Square AIS to be installed in September 2013 in advance of the exhibition.
Pulse of the City
Artist: George Zisiadis
Neighborhood: 5 Locations
Time Frame: Friday, September 6, 2013 - Friday, September 5, 2014
Pulse of the City is an exciting new interactive work that made its debut in five locations throughout Boston in early Suptember, 2013. Citizens are encouraged to step up to the bright red, metallic hearts and grab onto the handles protruding from either side. The participant's heartbeat is then processed into music, resulting in a one-minute interactive concert that changes with each person who touches it.
Locations around Boston include Christopher Columbus Park in the North End (down for the time being, but returning soon); East Boston Neighborhood Health Center in Maverick Square; Ashmont Station in Dorchester; along the circle at Avenue Louis Pasteur in Longwood; and in front of the Reggie Lewis Athletic Center in Roxbury.
George Zisiadis, a San Francisco based artist, is the creative force behind the solar-powered music boxes. These playful sculptures encourage us to break from the rush of urban life and take a moment to play, to marvel, and to appreciate the world around and inside of us.
Phtoto: “Pulse of the City.” (Courtesy of George Zisiadis)« Back to Top
Artist: Nate Swain
Neighborhood: Beacon Hill
42° 21' 35.0532" N, 71° 7' 18.7068" W
Medium: House Paint
Time Frame: Thursday, August 1, 2013 - Friday, August 1, 2014
The two advertisement billboards on Cambridge Street were transformed into two murals in five days, and installed in two hours. They are the first murals painted on Beacon Hill. Each mural painted on vinyl over advertisements and is 25-ft wide by 37-ft tall. Painted in 32 hours. Nate hopes the images are able to make people smile.
(This piece has been taken down temporarily but should be back up in a couple months!)« Back to Top
Artist: Sophia Brueckner and Catherine D'Ignazio
42° 21' 34.74" N, 71° 3' 6.0876" W
Time Frame: Monday, July 8, 2013 - Saturday, August 1, 2015
Phases is a new generative art installation by Sophia Brueckner and Catherine D'Ignazio, created for the Boston Harbor Islands Pavilion located in Boston's Rose Kennedy Greenway. The Pavilion is the Welcome Center for the Boston Harbor Islands national park area. Starting Monday, July 8th and running only after sunset, the animation renders moonlight sparkling on ocean waves receding into the nighttime darkness. It is purposefully reminiscent of the condensed landscapes in early computer games where the complexity of nature is distilled into such a small number of pixels, analogous to modern difficulties in reducing complex real-world environments and situations into simple metrics computers can understand.
The animation is alive, and the computer program pulls information in real-time regarding the conditions of the Boston Harbor Islands to influence the constantly evolving animation. The tides affect the shape and speed of the overlapping and receding patterns. The middle column of light changes with the phases of the moon. Weather conditions affect the beams of light moving across the scene, and, on clear nights, flickering pixels emulate the glitter of light on water. While bringing awareness to the challenge of capturing real-world complexities using limited representations within the computer, Phases uses technology to link two places together in real-time, bringing a little bit of the Boston Harbor Islands to the city.
Programming for the low-resolution LED screens at the Pavilion is sponsored by the National Park Service and Boston Harbor Island Alliance. The programming content, curated by Boston Cyberarts, is designed to enliven a focal point of the Greenway after dark with themes that connect the viewer to the islands-based park 15 minutes from downtown Boston.
Text and photo provided by Boston Cyberarts. More information is available at bostoncyberarts.org« Back to Top
Art Barrier: 137.5°
Artist: Benjamin Winters and Vaclav Sipla
Neighborhood: Fort Point & Charlestown
42° 21' 13.896" N, 71° 2' 52.2096" W
Medium: Exterior Grade Acrylic
Time Frame: Friday, April 26, 2013 - Wednesday, April 1, 2020
Mayor Thomas M. Menino and the Boston Art Commission, in collaboration with the City of Boston's Public Works Department, are pleased to announce ArtBarrier, a new program, which will add color and vitality to the often-overlooked concrete Jersey barriers located on public roadways.
The winning design, entitled 137.5°, is by Benjamin Winters and Vaclav Sipla. The artists have engaged in a range of projects throughout the region and brought their combined innovation and creativity to the ArtBarrier program. Benjamin Winters is a designer concerned with the potential for creating identity and space through returning decorative ornaments to the public setting. Vaclav Sipla is a classically trained stone sculptor who cofounded Sipla Newsam Studio, an art studio concerned with site specific public art whose philosophy has been described as urban Zen.
The artists describe their design as “a stylized version of a sunflower, created using mathematics and computer drafting software. The sunflower is a plant native to the area, and is often viewed as a symbol of optimism, as the faces of the mature plant face Eastward towards the rising sun. It also contains a natural expression of the golden ratio, thought by some to be relayed to beauty”.
Winters and Sipla created stencils that were used by volunteers to paint the barriers, as part of the annual Boston Shines volunteer program on Friday April 26th and Saturday April 27th at Northern Avenue and North Washington Street.« Back to Top
Bartlett Yard Events
Neighborhood: Dudley Square
42° 19' 39.504" N, 71° 5' 13.902" W
Time Frame: Monday, April 1, 2013 - Tuesday, April 1, 2014
Bartlett Yard, is Roxbury's newest destination for arts, culture, and community. Bartlett Yard is the site of the former MBTA Bartlett Bus Yard and the future home of Bartlett Place, a major new residential and retail development in Roxbury. The total site area is approximately 8.6 acres. The northern half of the site is presently leased to a construction company. This leaves approximately 3 acres of open outdoor space in a unique "puzzle-piece" configuration. Far from being limiting, the uniqueness of this space opens the door for many types of events. Bartlett Yard is the home of a variety of art, retail, and special events hosted by Alliger Arts, Nuestra Communidad, Windale Development Corporation, and a variety of community non-profit partners.
This series of events is being organized by Jason Turgeon, a resident of the Highland Park neighborhood, known for organizing the annual FIGMENT Boston art event on the Rose Kennedy Greenway and writing the hyper-local Fort Hill History blog. He is working in collaboration with Jeremy Alliger of Alliger Arts, a stalwart of Boston's art and dance scenes and has organized events at nearby venues including Hibernian Hall and Mark Paulo Ramos Matel, a Rose Fellow, a native of Virginia and most recently lived in Alabama and New Orleans. Mark has a background in design/architecture and has fabricated object of beauty ranging from furniture to street art. They are working with site development team Nuestra Communidad/Windale Development Inc.,
For more information about specific events each weekend visit: http://bartlettevents.org/
Image courtesy of Bartlettevents.org« Back to Top
Cycles, Tides and Seasons
Artist: Ben Houge
Location: Boston Harbor Island Pavilion on the Rose F. Kennedy Greenway
Boston Harbor Island Pavilion on the Rose F. Kennedy Greenway
Medium: Video Installation
Time Frame: Thursday, May 31, 2012 - Saturday, May 31, 2014
The National Park Service and the Boston Harbor Island Alliance have teamed up with Boston Cyberarts to create a two year art program calling for artists to make work for the two low-resolution screens at the Harbor Island Pavilion on the Greenway Conservancy. This exciting new endeavor will enliven the Greenway in the evening, while promoting the creative innovation of the region. While the Harbor Island Pavilion displays are approximately 6 x 8 feet, they have a resolution of only 48 x 64 pixels, which is not suitable for recognizable video imagery. Therefore, Boston Cyberarts has decided to commission various algorithmic artists to write programs that will create real time generative art that constantly changes.
In an effort to directly relate to the Harbor Islands themselves, the commissioned artists will draw from the National Park’s geographic information system (GIS) databases as a source, but the work will be abstract in nature. This program ties into the innovative strengths of the Boston area, using digital art algorithms to heighten the interest in Boston Harbor’s history and natural complex ecosystems.
The first work commissioned for the program is Cycles, Tides, and Seasons, by Cambridge-based artist Ben Houge. Houge is a algorithmic artist, composer and sound artist. His areas of activity range from computer game design and soundtracks to sacred choral music. Recently, he was artist in residence at the MIT Media Lab and teaches video game music in the Film Scoring Department at Berklee College of Music.
Read more about the programming here: http://bostoncyberarts.org/category/specialproject/« Back to Top
International HarborArts Outdoor Gallery at Boston Harbor Shipyard
Neighborhood: East Boston
Location: Boston Harbor Shipyard on the Boston HarborWalk
Boston Harbor Shipyard on the Boston HarborWalk
42° 21' 48.9096" N, 71° 1' 58.8216" W
Organized by HarborArts in partnership with the Urban Arts Institute at Massachusetts College of Art and Design. HarborArts is a global community bringing people together to champion the vital role our oceans, waterways and harbors play in the future of our planet. The Boston Harbor Shipyard is a 14-acre working shipyard featuring the HarborArts Outdoor Gallery with large-scale 2D and 3D works by over 30 artists / teams from three continents. Exhibiting artists include B. Amore, Ralph Berger, David Chatowsky, Louisa Conrad, Robert Craig, Konstantin Dimopoulos, Marisa DiPaola, Gary Duehr, Margaret Evangeline, Mark Favermann, James Fuhrman, Donald Gerola, Gunnar Gundersen with Julia Jacoby and students from Høgskole i Akershus, Elizabeth Hack, Lisa Hein & Robert Seng, Paul Howe, Matt Evald Johnson, Annetta Kapon, Stacy Levy, Carolyn Lewenberg, Mark Millstein, Caitlin Nesbit, Lori Nozick, Trace O'Connor, Bayne Peterson, Kimberly Radochia, Derek Riley, Karl Saliter, Paul Lloyd Sargent, and Maayke Schurer. HarborArts employs the arts to raise awareness for issues affecting our water resources. HarborArts is featuring the Massachusetts Ocean Coalition and information about the member organizations, highlighting their important environmental work on the Massachusetts Ocean Plan.
Open year-round. Recommended viewing hours Mon-Fri, 3:30pm–sunset & Sat-Sun, 9am–sunset.« Back to Top